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For example, if the avatar is following our motions or if we feel an object touching our skin in synchronization with a virtual object touching the avatar, our brain tends to fuse this signal and declare ownership of the avatar as its own body. Research has shown that our brain is flexible to accept this new artificial visual body as its own if it behaves similarly enough to information the brain gets from other senses. People largely prefer such a liberating experience, and as a result, there’s an increase in the sense of presence they experience. Place illusion and especially plausibility are, however, much stronger when the participant looks down and is embodied in an avatar that replaces their body (see Figure 1) and moves as they move. Such a mode has been widely adopted because it doesn’t interfere much with individuals’ “place illusion”-that is, the feeling that they’re located in a new place-and does a decent job at creating a “plausibility illusion,” or belief that events happening in the virtual environment are really happening around them. Many VR applications still deploy such a mode, where the user is without a visible body-essentially, disembodied-and only the floating image of the handheld controllers is seen, creating a ghostlike quality. When you try to look at your body in virtual space, the near-eye display of the headset blocks your view of the real world and-with it-your view of your own body. Because of these features, as well as the diversity of the characters and a selective poly resolution on the meshes, the library has been a popular research tool, used for such applications as VR, crowd simulation, and real-time avatar embodiment.Īvatar embodiment is one field of avatar research that the release of the Microsoft Rocketbox library will further enable.
Facial animations, including eyebrows and lips, look correct on character variants. Thanks to the common skeletal configuration across all the avatars, it’s also possible to use animation sets across all characters of the library without a need for tedious modifications. For example, their geometry is designed to enable mixing heads and different bodies easily, as well as mixing and matching texture elements and outfits of different characters. They’re designed to give researchers needed flexibility. The library’s avatars are rigged, or equipped with an internal skeleton to allow easy animation, and have been used in laboratories worldwide. This is the library we’re now making public. A new generation of highly detailed avatars and animations named “Complete Characters HD” was developed and released from 2010 to 2015.
Rocketbox Studios released its first library of avatars, “Complete Characters,” in 2005. Originally developed by Rocketbox Studios GmbH and later supported by Havok, which Microsoft acquired in 2015, the Microsoft Rocketbox avatar library represents extensive work in research and prototyping conducted over a 10-year span. The release of the library coincides with last week’s celebration of the 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (IEEE VR) and the presentation of our latest in avatar research, an active area here at Microsoft Research.
Microsoft Rocketbox can be downloaded from GitHub.
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To empower research and academic institutions around the world to further investigate the relationship between people and their avatars and how it affects interactions with others in the virtual world, Microsoft is making the Microsoft Rocketbox library-a collection of 115 avatars representing humans of different genders, races, and occupations-a publicly available resource for free research and academic use. How connected do we feel to our avatars? How realistic are the avatars around us-do they fit the style of the environment, behave how we expect, smile back at us? The believability of our surroundings is enhanced by these representations, which makes exploring answers to questions like these and others important to the continued advancement of the technology. However, how real a VR experience feels is quite dependent on our sense of self-and others-in the virtual world we have entered, an awareness realized in the form of avatars.
Today, we can put on a head-mounted display and find ourselves in a completely different world, a virtual one in which the more we explore, the more new environments we can see and hear. Virtual reality technology has become popular in recent years thanks to the availability of more affordable systems.
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Special care has been taken to reflect diversity in race, gender, and age, as well as attire and professional occupations. With the release of Microsoft Rocketbox as an open-source library, researchers and academics have access to 115 rigged avatars.
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